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un faible degré d'originalité
Antoine Defoort
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Roughly speaking & to summarize, my goal is to ensure that this lecture is:
- Rigorous
- Clear
- And nevertheless a bit thrilling
It should be noted that the area of intersection between these characteristics is quite narrow.
Production : l’Amicale de production.
Coproduction : le Vivat, Scène conventionnée danse et théâtre d’Armentières / le Phénix scène nationale Valenciennes / le Centre National de la Danse (cnd- paris) / Buda Kunstencentrum (Kortrijk, Belgique) / Bit Teatergarasjen (Bergen, Norvège) / le CENTQUATRE (Paris)/ le Beursschouwburg (Bruxelles, Belgique).
Soutien : Le PianoFabriek (Bruxelles, Belgique)
«A Low Level of Originality» is a lecture-in-progress on the thorny issue of intellectual property in the field of artistic creation.
It will be developed through serious efforts of rigor and documentation, tempered by a few thematic digressions, alluding more to a Sunday afternoon with friends than a law course.
The idea is to draw up an inventory of the legislation and history of copyright, and joyfully brainstorm about the issues and societal implications at hand. Roughly speaking & to summarize, my goal is to ensure that this lecture is:
- rigorous
- clear
- and nevertheless a bit thrilling
It should be noted that the area of intersection between these characteristics is quite narrow.
Thinks about, draws schematics and talks :
Antoine Defoort
Anticipates and solves technical problems :
Robin Mignot
Takes care of the production and plans ahead :
Alice Broyelle
Offers advise :
Mathilde Maillard
Examines the ins and outs of the matter :
Julie Valero
Makes do-it-yourself :
Sébastien Vial
Encourages reflection and puts everything in perspective :
Julien Fournet
Takes care of contracts, declarations and many other things :
Kevin Deffrennes, Thomas Riou
Helped since a long time :
Le Vivat
download the project's presentation with technical memo